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Adrianna Pope
(Executive Producer)
is a graduate of the USC School of Cinema and Television. She is a
working member of the Screen Actors Guild. In 1995, she served as
a development consultant for Classical Action, an event she also co-produced,
raising $1 million for local AIDS charities in association with the
San Francisco Ballet, Opera, Symphony and San Francisco Performances,
starring Carol Burnett, Van Cliburn and Michael Tilson Thomas. Adrianna
currently serves as a board director and community outreach advisor
for the San Francisco Opera Guild, and as a board member and trustee
of San Francisco Performances. She recently co-chaired an AMFAR event
in association with Sharon Stone, George Lucas, Jo Schuman Silver,
and Jeanette Etheredge.
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Marsha Kahm
(Camera)
has been a director of photography for over 22 years. She has worked
at KUON-TV, Nebraska Public Television, and WHA-TV in Madison, Wisconsin.
She co-directed, shot and edited her first documentary, entitled Uncommon
Places: The Architecture of Frank Loyld Wright which won a Gold Medal
at the 1985 New York Film Festival and a Gold Hugo at the Chicago
Film Festival in 1986. In the past 14 years Marsha has worked on numerous
documentaries for MTV, HBO, The Movie Channel, MacNeil-Lehrer Newshour
and WNET in New York.
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Kathleen Beeler
(Camera)
won the 1992 Sundance Award for Excellence in Cinematography. She
has been working in film production for over 17 years and has been
a technical director at Industrial, Light and Magic since 1989. Kathleen
shot Tale of Love (35mm) by director Trinh T. Minh-ha and Virtual
Love by director Lynn Hershman. Her past credits for cinematography
include Chan is Missing by Wayne Wang. Kathleen is a single mother
and lives in Richmond, California with her adopted Chinese daughter
Lucy, 7.
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Julie Konop
(Location Sound Engineer)
has been an editor, shooter, audio recordist and teacher for the past
10 years. Her credits include documentaries such as The Fat of the
Land,Regret to Inform, Ride to Wounded Knee and many Lynn Hershman
productions. She currently teaches workshops at BAVC
& UC Berkeley.
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Michele deLorimier
(Location Sound Engineer)
has worked on numerous feature films, commercials, documentaries,
industrials and interactive computer projects since 1989. Her engineering
credits include Mod Fuck Explosionby Jon Moritsugu, Lollapalooza:
The Documentary, Generation X by Renee Chabria and The Tibet Freedom
Concert 1996 documentary. Michele works commercially as a 35mm and
16mm camera assistant and location audio engineer.
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Brooke Wentz
(Music Supervisor) currently heads
up ESPN's Music Department and supervises numerous shows for television
and film. She also produces a variety of acclaimed recordings of world
music including "Global Meditation" which won the 1993 Billboard
award for best world music album, "Global Divas," and "Africa:Never
Stand Still."
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Zacharia Pineda
(Online Editor)
has nine years of offline/online editing experience working on commercials,
short films and documentaries. He is currently a staff editor at Video
Arts in San Francisco.
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Jim McKee
(Sound Designer)
works primarily with computers and tape, using sound elements and
human voice to build impressionistic and abstract sound environments.
His experience includes engineering and sound design for national
broadcast television, radio, commercial and drama, research and production
for interactive multimedia and CD-ROM. Feature film credits include:
the IMAX film Yellowstone, Hanna's
War, American Ninja 4, The Dolls, The Color of Honor, Vegas in Space,
and The Motorist.
Recently, Jim supervised and produced effects for the IMAX film Whales.
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| Scott
Snibbe (Animation Director)'s
work emphasizes human expression through movement and gesture. Best
known of his interactive projects is the Motion Phone - a networked
experiment in abstract visual communication. His animated films focus
on nonverbal storytelling, primarily through movement and subtle significances.
Both his interactive work and animated films have been featured internationally
in such venues as SIGGRAPH, Ars Electronica, the Stuttgart, Hiroshima
and Ottawa Animation Festivals, the San Francisco and Seattle film
festivals. Snibbe has worked at Adobe Systems as a Computer Scientist.
Currently he is employed as a researcher at Interval Research in Palo
Alto, California where his work focuses on Haptics (the field of engaging
touch through digital computers), Digital Video and Interactive Graphics. |
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